The seeds of this book were first sown whilst studying as an undergraduate student at the University of Warwick.
Deepest gratitude is reserved for my superlative PhD supervisor Michele Pierson, whose unwavering intellectual generosity and care for the project (as well as her trusty blue ink pen) made the work much better than it ought to have been, and the whole experience even more so.
I thank both for giving me the opportunity to study the computer-animated film. This book grew out of a doctoral thesis undertaken within the Film Studies department at King’s College London, and funded by the Arts and Humanities Research Council.
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